Books

  • Books:
  • Beneath The Ice,
  • Snakeskin Stilettos,
  • The Horse's Nest,
  • Miracle Fruit,
  • Selected Poems,
  • The Goose Tree

About Me

My photo
Poet, creative writing facilitator, editor. Experienced mentor for those working towards a first collection. My publishers are Lagan Press, Belfast and Liberties Press, Dublin www.libertiespress.com who published my Selected Poems in 2012 and my new collection, The Goose Tree in June 2014

Tuesday, 2 September 2014

Are there places poetry just doesn't go?


I have done readings in all kinds of places; boats, towers, hospitals, schools, old workhouses, streets, churches, barns, stately homes and care homes; but the request I had recently left me slightly stunned. In a funeral home? Really?

 

The last time I was in a funeral home, me and my husband were selecting a little box for his mother’s ashes.

The time before that we were selecting the coffin that now formed part of the ashes we were about to put into this new box.

The time before that, it was a coffin for my mother.  Twelve years ago now, but I still remember it vividly. After a long drawn out and emotionally and physically exhausting death bed vigil, I was punch drunk. It was a surreal experience; the attendant showing us round the ‘showroom’ as we tried to decide between oak and mahogany, between brass or gold handles, as if any of it mattered. My brother insisting on the most expensive; his final opportunity to please our mother.

 

We bring in ‘good suits’ or Sunday ‘going to church’ dresses so that our dead look their best, and we view the body, consider whether the undertaker has done a good job, whether they have managed to wipe away the suffering from the faces of the newly dead, whether the deceased ‘look like themselves’ again. The smell of embalming and the necessary chill. To me a funeral home is the saddest of all places. It is the place where the aftermath of death really begins, where the grief takes its awful shape, amongst the practicalities of life.

 

So the only way I’m ever entering a funeral home again is if I absolutely have to, and that certainly does not include a poetry reading. I’m not saying it is wrong to have a poetry event in a funeral home – of course it isn’t - it’s just inexplicable to me why anyone would want to. And who will go along to listen?  Or is it just me that thinks it’s strange?

Thursday, 21 August 2014

Aspects


It has been a summer of clearing and cleaning and taking stock. One of the clearings has been a load of old paperwork, and in the process I turned up lots of stuff, including an old Aspects programme from 1995. I was one of the readers; my first inclusion in the programme for a literary festival and launching my very first publication, Kissing Ghosts, a chapbook from Lapwing Press. Seeing the programme brought back lots of memories; I remember what I was wearing and how nervous but excited I was. My mother was not very well, just at the beginning of the long illness that would rob her of her memory, but she was well enough though to attend the reading, the only time she heard me read my own work. I always found her a difficult woman to please, but I felt that she was proud of me that evening, if a little concerned that I was breaking the family code of ‘whatever you say, say nothing’.

Much has changed for me in the nineteen years since then but there have also been constants. One of these is that I’m still writing poetry. This may not seem much of an achievement in itself, but it feels like it. I’ve stuck with it, that desire to craft words and thoughts and experiences into something truthful and maybe even beautiful. I’m in it for the long haul and somehow that feels like the real achievement. I have stayed with that part of myself, writing in hours snatched from other things, through periods of doubt; through good times and bad.

I’ve seen discussions on social media as to whether it’s ok to call yourself a poet. Well, I’m going to claim the title. I’m a lot of things – and one of them is poet.

Monday, 11 August 2014

upcoming event



BELFAST, NORTHERN IRELAND




BOOKFINDER’S CAFÉ, 47 UNIVERSITY ROAD,

2014
WHAT POETRY HAS TO OFFER:

BELFAST BT7 1ND

UNDERSTANDING, EMPATHY,

THURSDAY 25TH SEPTEMBER 7.00 FOR 7.30 P.M.



CHANGE


The purpose of the 100 Thousand Poets for Change events, which take place all over the world at the end of September, is to make a difference through poetry.

At the Belfast event, we will use language in a positive way, to challenge issues including hate crimes, racism and current international conflicts.

All are welcome: please come along and read your own poems, or bring along other works about making change. Participating poets will include Moyra Donaldson, Nandi Jola, Emma Must, Shelley Tracey. Shelley will be reading from her forthcoming collection on experiences of migrants to Northern Ireland.

You are welcome to bring along your own snacks and drinks

Contact details for the event: https://www.facebook.com/events/1453507714933480/?ref_dashboard_filter=upcoming

For more information about 100 Thousand Poets for Change: http://100tpc.org/


Friday, 1 August 2014

Sometimes it is good to get away from everything


The Erne Rushes Through Me

 

A great clean flood to rinse away

the whole of the tired, wicked world.

 

A heron guards the dreaming ivory gates,

my eyes have turned the blue of damselfly;

red gilled perch and silver trout,

swim through the ventricles of my heart

and swallows rise from my throat, stitching

my thoughts to the sky: it is as if nothing

 

bad is happening anywhere: as if

everything in the Garden is lovely.

Wednesday, 23 July 2014

Finding out about yourself



I enjoy being asked thoughtful questions about my poetry - it is a chance to reflect. Here is a link to a recent interview in the HU.







http://darrananderson.com/2014/07/08/shape-shifting/

Tuesday, 22 July 2014

Do you remember an inn, Miranda?


It’s been a busy time and it is good to see things come to fruition. The Goose Tree has been launched and the geese have flown off into the world. I’ve had a great time working with photographic artist, Victoria J Dean on our collaborative project Dis-Ease and we’re both really pleased with the outcome. Now I’m having the chance to slow down and have a bit of time for reflection.

I’ve taken a few weeks leave from work and have had the chance to do a bit of catching up with reading and thinking about poetry.

One of the things I’ve been thinking about is the idea of learning poetry ‘by heart’. Because I was sent to elocution lessons as a child, I learnt how to memorise poems from a very early age. It was never a chore. As a teenager I continued to learn poems just for myself. They were poems I loved and wanted to carry around in my head. It was my heart that learnt them. I would recite them to myself at random times; when I was out for a walk, or sitting in my bedroom. I still have quite a few of them stored in the grey matter, and over the last few days I’ve been trawling through to find them again. Sonnets are the easiest to recall, but all sorts of things have been coming back, snatches of Sitwell, chunks of Eliot, Betjeman, stanzas from Yeats.

So my resolution is to go back to learning poems by heart. I don’t imagine it will be as easy this time around, but I’m going to give it a go. How nice to have your own personal anthology there for the enjoying any time at all.

 

Monday, 14 April 2014

Good Intentions


I had such good intentions, but it has been a long time since I posted on here. My excuse is that I’ve been really busy writing poems and doing quite a bit of mentoring of other poets. I’m starting to see the fruits of a couple of projects, so hopefully will be on here a bit more and sharing some random thoughts and some news.

Saturday, 26 October 2013

Childish delights

 
I was contacted a while back by an editor who wanted to use one of my poems in a German book of poetry for children. Just got my copy through the post this week and I'm delighted with the results.
 
 
 


Monday, 9 September 2013

Places for poetry


I love reading in places that are not the usual venues for poetry readings, though the mezzanine level of the Larne to Cairnryan Ferry was almost too much of a challenge as I discovered it is quite difficult to read poems whilst feeling seasick. I also love historical buildings, so I am really looking forward to reading in two fantastic venues this coming weekend as part of the European Heritage Open Days.


 On Sunday 15th I'm reading in the unique Helen's Tower, built by Lord Dufferin for his mother Helen. I'll be in the poetry room at 10.00am and again at 2.00pm. This octagonal panelled room is decorated with poems engraved into metal plates and the views from the third floor windows are simply spectacular.
On Saturday 14th I will be reading in the drawing room at Mount Stewart at 2.30pm. It is a beautiful and sumptuous setting and I'm looking forward to reading my poem about Stubbs in a setting that has an actual Stubbs painting adorning the stairway.

I'm half tempted to go all out and dress the part as well.



Wednesday, 28 August 2013

Summer Highlights

As August comes to an end I'm just thinking back over the summer months and what I remember most in terms of poetry. Highlights for me have been the reading by Penelope Shuttle at the Hewitt Summer School, performance poet, Holly McNish at the West Belfast Festival and my visit to the Poets' House

Friday, 19 April 2013

The Dark Lady of the Sonnets

I had great fun finding a voice for the Dark Lady of the Sonnets for the Fickle Favours production, Shakespeare's Sisters in the Black Box.
Here she is.


                              1

 

How should a woman better herself,
if not in the bed of a powerful man?
Virtue or preferment: faithfulness
or advantage: to fuck or not to fuck?
That is the question for us women.
So from an early age I do what I have to,
the patron, the astrologer. the playwright,
Of course I am the guilty party,
a woman always is: black deeds and lies,
making men mad, making men sin.

 Men should remember that it is through
a woman’s cunt that they arrive upside
down into the world, screaming for the milk
of mother’s kindness. They should treat us better.

 

                              2

 A man says what he thinks, not so a woman.
I’d be called shrew if I told you Will’s belly
is too big, his head too domed, his hair just silly,
fingers always stained with ink. The number of times
he’s insulted me – my breath reeks indeed! –
and where else should I tread but on the ground.
I resent the constant whinging wringing of his soul
as if his soul is bigger, better, more worthwhile
than mine. My sensitivities are never taken
to account, he’s always only looking for the rhyme.

Poets are no better than the rest, worse perhaps,
turn everything to metaphor, hide behind
the words, suck the life from you for the sake
of a poem. Turn you into a line on a page.

                             
                                 3
 
So dear reader, are you interested in what I think,
what makes me tick, what I might want?
Or do I only count because I’m the woman
that Will wrote about? The colour of my breasts,
my raven blackness; I’m his most precious jewel;
false speaking, cruel, taking his reason from him,
making him sin, awarding him pain. Go on,
speculate. Am I this person, or that: who am I?
Still just cipher, just the muse, object of desire,
passive subject – the dark lady has been written about.

Is it a woman’s place, to be content with this?
Many women, many muses through the years
have, will suffer the same fate I fear; for me
at least I ‘d wit enough to hitch my star to excellence.

 
                              4

And he is excellent, my Will, despite my complaints I know
he’s something special. Masked, watching from a gallery
in the Globe, I am willing victim, seduced every time;
for what is sexier than language to a lover of language.
Will’s words run through my mind, my heart, my being,
making me love him, making me jealous of him.
I wouldn’t be surprised if down the next century and the next,
boys still play Ophelia, Desdemona; actors make
their reputations with Hamlet, Lear, Macbeth. Could I bend
thoughts to words as he can, I might be content with that.

At night I light a candle, take out quill and ink, write
my own Gertrude; she is born to say something different,
won’t have to remarry in such haste, might not need
a man at all in order to survive the state we live in.

 
                              5

I have such imaginings in me; I could believe
no daughter would be put to death for
refusing to marry her father’s choice, no wife
sent to prison on a husband’s jealous whim.
A clever woman wouldn’t need to dress up as a man
to make her courtroom argument; each would be
queen of herself, not merely muse or drudge or wife
or whore – let tyrants fear, when we reveal that
every woman has that same strength of heart
and stomach shown by glorious Queen Elizabeth.

 Women could translate themselves; all femaleness 
in loops of verse, loosening form like leaving corsets off;
put paint on canvas to reveal their vision; compose music
that soars as high and wide and splendidly as any mans.

 
                              6

 And what a brave new world it would be
that had such women in it; citizens of an equal
earth, each willing her own destiny, each
governing her own life, and free to do it.
Likely you think I’m mad, bad, a dangerous
drab, to think such things, to attempt
a vindication of the rights of women.
I should know my place, accept my lot;
spare rib, second sex, female eunuch
- as I’m held to be - you’ll hardly listen to me.

Listen, a chorus of voices, future, present,
past, set up a clamour that cannot
be ignored, and I hold fast to dreaming
of this change of world.
 
 
 
There will be another chance to see the whole production on Saturday 1st June in Downpatrick Arts Centre.

 

 

 

Tuesday, 12 February 2013

Do you need a muse?

It had been a quiet time for me after the launch of Selected Poems in December. I had hopes of doing lots of writing, but that wasn't really happening. Then I was lucky enough to be selected to write a piece for Fickle Favours, https://www.facebook.com/FickleFavours
as part of an exciting new project. Somehow a deadline always seems to work for me - or make me work - and I managed to complete a piece of writing inside the time frame. Six 'sonnets' in the voice of the Dark Lady of the sonnets.
This got me thinking about inspiration and how if I sit around waiting for it, it doesn't happen. I don't think I need a muse as much as I need a strict overseer. Write a poem or else!
Anybody else feel the same way?

Monday, 1 October 2012

Workshop for National Poetry Day

 I will be doing a workshop in Ballyhackamore Library, 6.45 to 8.00pm on Thursday 4th October as part of National Poetry Day. All welcome.

Catch Up

I haven't posted on here for quite a while, so thought I'd do a little catch up.

I took some time off work over the summer to give the writing a bit more space and managed to have quite a productive time. I spent a great week in Ty Newydd, the Welsh Writers' Centre in the company of a fantastic bunch of poets, including Carol Ann Duffy and Gillian Clarke. It got me really re-energised and thinking about poetry so I've been doing lots of reading and a bit of writing too. I came across a Canadian poet, M  Travis Lane, that I hadn't previously read and am really enjoying her work. I've also been revisiting Tess Gallagher through her book, 'Midnight Lantern' and I've been enjoying 'Furniture' by Lorraine Mariner from Picador Poetry.
On the writing side, I've just been trying to stick with it, defy that blank page and put some words down without worrying too much about what it 'is'.

A good resource, link here http://www.writershub.co.uk/poetry.php
have a look.

Of course the highlight of the year for me has been the publication of my Selected Poems from Liberties Press  http://www.libertiespress.com/
Hopefully I will have news of a launch date soon.

I've been doing some workshops; some fantastic poems from the participants at the Day Hospice, and I'm looking forward to attending a symposium in Newcastle upon Tyne next week to hear about working as a writer with people with dementia. I've also been mentoring a couple of poets working towards a first publication.

It's great to have a bit of support and critical feedback on your work, at least I find it very helpful! I've had a lot of that this summer from various sources; thank you to those poet friends who give so generously.




Monday, 25 June 2012

Museum Reading




      Raising a Glass to Hewitt


An evening of poetry
on the 25th Anniversary of John Hewitt's death

featuring

Moyra Donaldson, Sinead Morrissey, Frank Ormsby, Damian Smyth and others

Wednesday 27th June 2012 (6pm)

in

The Ulster Museum

Admission: FREE

Organised by
The John Hewitt Society in association with NMNI

 







Thursday, 31 May 2012

Belfast Book Festival

Delighted to be reading with Bernie McGill at the Belfast Book Festival. Lots of other great stuff too. 

http://www.belfastbookfestival.com/